Friday, July 03, 2009

MUSIC/POLITICS: The Man In The Mirror

I totally loved the brilliant records the Jackson 5 made. I liked a big chunk of Michael Jackson's solo records. But when I heard he had died I felt nothing. Absolutely nothing. I still don't. And now I know why:

Clusterfuck Nation
Comment on Current Events by the Author of "The Long Emergency"

"The Man in the Mirror"

By James Howard Kunstler
June 29, 2009

As America entered the horse latitudes of summer, befogged in a muffling stillness on deceptively calm seas, we were distracted for a while by visions of a pale death angel moonwalking across the deck of collective consciousness. Eerie parallels resound between the sordid demise of pop singer Michael Jackson and the fate of the nation.

Like the United States, Michael Jackson was spectacularly bankrupt, reportedly in the range of $800-million, which is rather a lot for an individual. Had he lived on a few more years, he might have qualified for his own TARP program -- another piece of expensive dead-weight down in the economy's bilges -- since it is our established policy now to throw immense sums of so-called "money" at gigantic failing enterprises (while millions of ordinary citizens wash overboard, without so much as a life-preserver). Anyway, Michael Jackson was on the receiving end of one huge bank loan after another long after his pattern of profligacy was set and obvious. They threw money at him for the same reason that the federal government throws money at entities like CitiBank: the desperate hope that some miracle will allow debt servicing to resume. Michael could burn through $50-million in half a year. It didn't seem to affect his credibility as a borrower. When his heart stopped last week, he was living in a Hollywood mansion that rented for several hundred thousand dollars a month. You wonder how the landlord cashed those checks.

Like the USA, Michael Jackson was a has-been. He hadn't recorded a song worth listening to in over two decades. He had done almost nothing but spin his wheels, hop around the globe from one place to another at enormous expense, and make himself available for award ceremonies to stoke his ego (and give advertisers a reason to promote some televised award show). He existed strictly on image, an anorectic figure nourished by moonbeams of attention, famous for saying that he loved his worshippers when the truth was he merely sucked the life out of them. In his last years, he even looked a bit like Nosferatu, the personification of the un-dead, and his fascination with ghouls was the basis for his biggest hit way back in the last century. A zombie

nation deserves a zombie mascot.

He was a poseur, vamping in weird military outfits as though he were a five-star general in the Honduran army, or a character from a melodrama by the reprobate Jean Genet. He once materialized during halftime at the Superbowl in a shower of sparks, thrilling the multitudes while grabbing and stroking his sex organs, as though that was a heroic activity -- and indeed the nation seemed to emulate him as its culture became dedicated more and more to acting out masturbation fantasies. America was a fat man jerking off on the sofa watching a vampire of no particular sex vogue deliriously on the boob tube.

More than once the authorities tried to pin charges of child molestation on him for suspicious activities at his boy-trap, Neverland Ranch, with its carnival rides, private zoo, video game galleries, and inexhaustible supplies of sugary treats. The first time he settled with the alleged victim's family for $22-million. They just walked away with the loot and happily shut up. The second time, he moonwalked out of a court-of-law while weeks later jurors mysteriously went on TV to say, well, they did kind of think after-the-fact that he really did those things he was accused of, but, you know.... The defendant himself behaved as though his trial were a TV celebrity challenge show on another planet, arriving on one occasion twenty minutes late in pajamas with some lame excuse about a backache. He spent the last years of his life wandering a few steps ahead of his creditors, gulling concert promoters into "comeback" schemes (with walking-around money up front), and with three bought-and-paid-for children, obviously not his own, for consolation.

When he dropped dead last week, the nation's morbidly maudlin response suggested a cover story for the relief of being rid of him and all the embarrassment he provoked. One CNN reporter called him a genius the equal of Mozart. That's a little like calling Rachel Maddow the reincarnation of Eleanor Roosevelt. A nation addicted to lying to itself tells itself fairy tales instead of facing a pathology report. Yet, like Michael Jackson, the undertone of horror story still pulses darkly in the background. The little boy who grew up to be the simulation of a girl was really a werewolf. The nation that defeated manifest evil in World War Two woke up one day years later to find itself stripped of its manhood, mentally enslaved to cheap entertainments, and hostage to its own grandiosity. Maybe in grieving so exorbitantly over this freak America is grieving for itself. All the loose talk about "love" from the media and the fans gives off the odor of self-love. America is "the man in the mirror," the gigantic, floundering Narcissus, sailing into the stormy seas of history.